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Proofreads a passage for grammar and punctuation, lifts the prose toward a chosen stylistic model, and returns the revision alongside bullet-point feedback on tone, readability and structure.
Version 1 · 3 variables · 3 required
Fill in the values below — the customized prompt updates as you type. marks a required value.
The text you want corrected and refined. A paragraph to a page works best.
A writer or a described register, e.g. "Alice Fulton", "a plain-spoken technical writer", "a broadsheet leader column". Default: Alice Fulton
e.g. American English, British English, or a house style such as Chicago Manual of Style. Default: American English
Fill in Passage to proofread to copy the customized prompt.
Showing all 1 public result from Claude Opus 5 on version 1.
Contributor notes: Illustrative example — not an actual model run. Written to show the shape of a good answer so the prompt can be judged before you spend a call on it. Attribution: adapted from https://github.com/abilzerian/LLM-Prompt-Library by abilzerian, licensed MIT. Source file: https://github.com/abilzerian/LLM-Prompt-Library/blob/main/prompts/writing/editing_revision/Proofread.md
1 public result from 1 model
Reports go to moderators and are never shown publicly.
Yesterday I went down to the market and came away with more than I had intended. The heat lay heavy over everything, and the crowd moved through it wearily. What stayed with me was the smell of the oranges. **Alternatives** The hardest sentence was *Hacía mucho calor y la gente estaba cansada*, where the two clauses are joined by nothing stronger than *y* and the tiredness is left unexplained. 1. "It was very hot, and the people were tired." — the closest rendering, and the flattest. It keeps
Detects the language of your text, translates it into English, and rewrites it at a higher register — replacing plain wording with more elegant phrasing while holding the meaning fixed and adding nothing.
Thanks for sharing this — and for being clear about the goal, which makes the feedback much easier to aim. You are broadly on track. The argument exists and a reader can follow it. What is holding it back is that the claim is doing less work than it could. **What is working** Your opening move is a good one. "The scheme was announced as a solution to overcrowding, and overcrowding got worse" sets up a gap between promise and outcome, which is exactly the shape a critical essay wants. You also
Runs a mentoring loop over a draft: balanced, specific feedback pitched at your stated level and goal, then a revision request and a comparison of the two versions, without ever rewriting the work for you.
**Headline** — Stop guessing your water temperature. (38 characters) **Body** — The Kettleworks handle reads the water as it heats, so you pour at the temperature your beans actually want. The gooseneck spout gives you a slow, controlled stream, and the steel body goes in the oven without complaint. [PROOF NEEDED] **CTA** — See it pour → *[PROOF NEEDED] sits where a credibility cue would normally close the body. One line from a named roaster, or a temperature-accuracy figure from your own tes
Produces a headline, a short persuasive body and a direct call to action from your product details, plus two alternative headlines on different angles, without inventing proof points you have not supplied.
**Arc** - *Introduction* — Vesna keeps the beacon on Tolle, a moon nobody lands on any more. Her work is maintenance and log-keeping; the shipping lanes moved twenty years ago. - *Rising action* — A carrier signal resolves out of the noise. The ship identifies itself as the *Auger*, departed a hundred and three years ago and long since written off. - *Climax* — The message is not a distress call. It is a routine position report, sent on schedule, by a crew who do not know how long they have bee
Turns a one-line premise into a short story by first outlining the arc, then expanding it into a set number of paragraphs with consistent point of view, sensory detail and a closing line that reaches forward.
- **Manuscript culture** — before the mid-fifteenth century, European books were copied by hand, usually by **scribes** working in monasteries - a single copy of a long work could occupy a scribe the better part of a year - **Gutenberg's synthesis**, c. 1450 — not one invention but three existing things combined into a single system: - **movable metal type** - **oil-based ink** - a **press** adapted from wine production - **Central effect** — identical copies of a text could now be produ
Condenses a passage into tight bullet-point notes with key terms bolded, drawing strictly on the source text and flagging what the source does not say.
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